{"id":2855,"date":"2025-02-07T19:05:39","date_gmt":"2025-02-07T18:05:39","guid":{"rendered":"https:\/\/lbvcodex.be\/?p=2855"},"modified":"2025-02-16T10:44:21","modified_gmt":"2025-02-16T09:44:21","slug":"remi-bertrand","status":"publish","type":"post","link":"https:\/\/lbvcodex.be\/index.php\/2025\/02\/07\/remi-bertrand\/","title":{"rendered":"R\u00e9mi Bertrand"},"content":{"rendered":"\n
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R\u00e9mi Bertrand<\/a>, n\u00e9 \u00e0 Charleroi le 15 janvier 1982, est un \u00e9crivain belge de langue fran\u00e7aise.
Il est l\u2019auteur de romans (La Mandarine blanche<\/em>, Coxyde<\/em>) et d\u2019ouvrages ludiques sur la langue fran\u00e7aise (Un bouquin n\u2019est pas un livre<\/em> et Un mot pour un autre<\/em>, parus dans la collection \u00ab Le go\u00fbt des mots \u00bb aux \u00c9ditions Points). Il a \u00e9galement consacr\u00e9 un essai \u00e0 l\u2019\u0153uvre de Philippe Delerm.
En 2018, il a cr\u00e9\u00e9 avec son \u00e9pouse les siestes acoustiques de Maison rouge, qui font la part belle aux artistes de la sc\u00e8ne musicale belge dans le cadre d\u2019un concept store atypique (http:\/\/www.maison-rouge.be).<\/p>\n\n\n\n

Il s’attache par ailleurs \u00e0 revaloriser l’\u0153uvre, essentiellement th\u00e9\u00e2trale, de Franz Michaux, avec la famille de l’auteur.<\/p>\n\n\n\n

Il est coordinateur \u00e9ditorial (De Boeck, Van In) et \u00e9diteur (Edern).<\/p>\n<\/div><\/div>\n\n\n\n

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Sortie mars 2025<\/p>\n\n\n\n

Une d\u00e9flagration.<\/p>\n\n\n\n

Des cheveux blancs ! C\u2019est de mon \u00e2ge, vous dites, mais\u2026 Vous disiez aussi sale roux, rouquin, rouchat. Plus vous ruiez, plus je rouillais. Je m\u2019y suis identifi\u00e9. Moi, roux. Et maintenant, blanchir\u2026 Qui serai-je lorsque je ne le serai plus ?<\/p>\n\n\n\n

Alors je me rue dans la rousseur. Dans les livres roux, les vid\u00e9os rousses, les podcasts roux, les peintures rousses, la mythologie rousse, les films roux, les chansons rousses\u2026 J\u2019y rencontre l\u2019odeur rousse, la violence rousse, la lubricit\u00e9 rousse\u2026 la tra\u00eetrise, la laideur, la malignit\u00e9, la sorcellerie, la cruaut\u00e9\u2026 toutes rousses ! Cinq mille ans de poncifs roux. De souffrance rousse. D\u2019impunit\u00e9.<\/p>\n\n\n\n

Je me rue sur vous. J\u2019\u00e9cris ce livre. Vous lisez ce livre. Ce n\u2019est plus un livre. Fini, les fantasmes.<\/p>\n\n\n\n

Une bombe rousse.<\/p>\n<\/div><\/div>\n\n\n\n

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\u00c0 la gare comme \u00e0 la guerre !<\/h5>\n\n\n\n

Ao\u00fbt 2014. Un couple de Britanniques d\u00e9barque \u00e0 Mons : prenant le gigantesque chantier de la future gare Calatrava pour une reconstitution des tranch\u00e9es, ils saluent l\u2019effort des autorit\u00e9s locales pour comm\u00e9morer le centenaire de la “bataille de Mons”. St\u00e9phanie, qui les accueille sur le quai, se rend compte de leur m\u00e9prise. Pour \u00e9viter de les d\u00e9cevoir doublement \u2013 non seulement la gare n\u2019est qu\u2019un chantier, mais la Cit\u00e9 du Doudou, encore en pleine r\u00e9novation en vue de “Mons 2015, Capitale europ\u00e9enne de la culture”, est \u00e9galement sens dessus dessous \u2013, leur h\u00f4te d\u00e9cide de maintenir l\u2019illusion. Profitant de l\u2019aubaine, elle met tout en \u0153uvre pour les emp\u00eacher de poser un pied en ville\u2026 et les renvoyer illico en Grande-Bretagne !

\u00c0 la gare comme \u00e0 la guerre !<\/em> est l\u2019une des sayn\u00e8tes de l\u2019\u00e9dition 2014 de Mons Pass\u00e9 Pr\u00e9sent. Elle s\u2019inscrit dans la veine satirique de ce festival de th\u00e9\u00e2tre en rue incontournable, o\u00f9 l\u2019actualit\u00e9 r\u00e9gionale et nationale est parodi\u00e9e dans la bonne humeur. Qui l’e\u00fbt cru ? Cette sayn\u00e8te a dix ans… le chantier de la gare aussi !<\/p>\n<\/div><\/div>\n\n\n\n

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24 secondes par image<\/h4>\n\n\n\n

\u00ab Le film s\u2019appelait “24 secondes par image” et Carole m\u2019a expliqu\u00e9 que c\u2019\u00e9tait une astuce parce que le principe du cin\u00e9ma c\u2019est qu\u2019il y a vingt-quatre images par seconde et l\u00e0 le r\u00e9alisateur avait fait l\u2019inverse c\u2019\u00e9tait un pari, bon, super je lui ai dit, pour faire semblant d\u2019\u00eatre int\u00e9ress\u00e9 et les lumi\u00e8res de la salle se sont \u00e9teintes, ce qui me plaisait un peu plus vu que je pensais que je pourrais tenter des choses. \u00bb<\/p>\n<\/div><\/div>\n\n\n\n

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Un mot pour un autre<\/h4>\n\n\n\n

Les pi\u00e8ges des paronymes<\/h5>\n\n\n\n

\u00abOriginal<\/strong> et originel<\/strong> partagent cette aptitude : ils sont toujours les premiers. Mais l\u00e0 o\u00f9 original<\/em> provoque les reproductions plus ou moins r\u00e9ussies, originel<\/em> ne vaut que par lui-m\u00eame. Original<\/em> est premier de classe ; originel<\/em>, premier de cord\u00e9e. On copie l\u2019un, on suit l\u2019autre.\u00bb

R\u00e9mi Bertrand nous propose le guide indispensable pour d\u00e9masquer les \u00ab faux jumeaux \u00bb de la langue fran\u00e7aise. Gr\u00e2ce \u00e0 lui, plus de confusion possible entre d\u00e9dier<\/em> et d\u00e9dicacer<\/em>, rebattre<\/em> et  rabattre<\/em>… L\u2019heure d\u2019une langue juste et pr\u00e9cise a sonn\u00e9 !

R\u00e9mi Bertrand, n\u00e9 en 1982 \u00e0 Charleroi, est tomb\u00e9 dans le dictionnaire quand il \u00e9tait petit. Il est l\u2019auteur d\u2019Un bouquin n\u2019est pas un livre : les nuances des synonymes<\/em> disponible en Points.<\/p>\n<\/div><\/div>\n\n\n\n

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Un bouquin n’est pas un livre
Les nuances des synonymes<\/h4>\n\n\n\n

\u00abFemme, \u00e9pouse<\/strong> : Femme<\/em>, contrairement \u00e0 mari<\/em>, n\u2019exprime pas l\u2019id\u00e9e du mariage. C\u2019est peut-\u00eatre pour cette raison que la femme<\/em> se sent parfois pousser des ailes… L\u2019\u00e9pouse<\/em> est fid\u00e8le – on dit d\u2019elle : \u00abC\u2019est une bonne \u00e9pouse\u00bb ; c\u2019est toujours la femme<\/em> qui est volage. Le cocu s\u2019\u00e9crie : \u00abMa femme me trompe!\u00bb C\u2019est pourtant… l\u2019\u00e9pouse<\/em> qui a jur\u00e9 fid\u00e9lit\u00e9. La femme<\/em>d\u00e9fait ce que l\u2019\u00e9pouse<\/em> a fait. La femme<\/em> prend un amant ; l\u2019\u00e9pouse<\/em>, un avocat.\u00bb

Abus ou exc\u00e8s ? Besoin ou envie ? Mail ou courriel ? Clich\u00e9 ou st\u00e9r\u00e9otype ? Avec humour et perspicacit\u00e9, R\u00e9mi Bertrand passe au crible les subtilit\u00e9s et les nuances des synonymes.<\/p>\n<\/div><\/div>\n\n\n\n

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Coxyde<\/h4>\n\n\n\n

Le roman : une escapade \u00e0 rebours.
Cl\u00e9ment n\u2019a qu\u2019un r\u00eave : fabriquer des livres.
Marie vient bousculer cette certitude ; \u00e0 Cl\u00e9ment de retrouver les traces, comme autant de preuves de sa vocation. Les amants se laissent d\u00e9river. Paris, Versailles\u2026 Enfin, la Mer du Nord qui r\u00e9veille en eux des images, des sensations\u2026 Comment ont-ils pu ignorer ce pass\u00e9 commun ? S\u2019\u00e9taient-ils d\u00e9j\u00e0 fr\u00f4l\u00e9s, en vacances, en enfance ?
Les personnages : Marie, Cl\u00e9ment, Coxyde.
Il y a Cl\u00e9ment (qui se destine \u00e0 l\u2019\u00e9dition). Il y a Marie (qui veut savoir pourquoi). Entre les amoureux, Coxyde, que chacun conna\u00eet diff\u00e9remment. Le village c\u00f4tier et ses cuistax, ses gaufres, ses villas aux tuiles orang\u00e9es, le bateau amphibie, l\u2019Horloge, La Vigie, Siska, le Mus\u00e9e Delvaux… Mais aussi, un \u00e9trange petit livre cartonn\u00e9. Comme une r\u00e9ponse \u00e0 leur amour. <\/p>\n<\/div><\/div>\n\n\n\n

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liste des auteurs <\/a><\/div>\n<\/div>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

R\u00e9mi Bertrand, n\u00e9 \u00e0 Charleroi le 15 janvier 1982, est un \u00e9crivain belge de langue fran\u00e7aise.Il est l\u2019auteur de romans (La Mandarine blanche, Coxyde) et d\u2019ouvrages ludiques sur la langue fran\u00e7aise (Un bouquin n\u2019est pas un livre et Un mot pour un autre, parus dans la collection \u00ab Le go\u00fbt des mots \u00bb aux \u00c9ditions Points). Il a \u00e9galement consacr\u00e9 un […]<\/p>\n","protected":false},"author":1,"featured_media":2856,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[8],"tags":[],"class_list":["post-2855","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-auteurs-2025"],"yoast_head":"\nR\u00e9mi Bertrand - LBV codex<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/lbvcodex.be\/index.php\/2025\/02\/07\/remi-bertrand\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"R\u00e9mi Bertrand - LBV codex\" \/>\n<meta property=\"og:description\" content=\"R\u00e9mi Bertrand, n\u00e9 \u00e0 Charleroi le 15 janvier 1982, est un \u00e9crivain belge de langue fran\u00e7aise.Il est l\u2019auteur de romans (La Mandarine blanche, Coxyde) et d\u2019ouvrages ludiques sur la langue fran\u00e7aise (Un bouquin n\u2019est pas un livre et Un mot pour un autre, parus dans la collection \u00ab Le go\u00fbt des mots \u00bb aux \u00c9ditions Points). 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